1791-1860  Related Paintings of Karoly Marko the Elder :. | Diana at the Hunt | The Toilette of Venus | Italian Landscape with Viaduct and Rainbow | From the Pearl of Holy Antiquity | Landscape with the Walk to Emmaus (mk22) |
Related Artists:
Max Klinger
German Symbolist Painter and Sculptor, 1857-1920 German painter, printmaker, sculptor and writer. He was one of the most versatile German artistic personalities of the turn of the 20th century and was especially celebrated for his cycles of prints, which were influential.
Pavel Fedotov
1815-1852 Realism Russian Russian painter and draughtsman. He was noted for his satirical critique of Russian life of the mid-19th century. He attended the First Moscow Military School (1826-33), then served in St Petersburg in the Finnish Regiment Life-Guards. While earning a reputation as an honest and hard-working officer, he drew a great deal, played the flute and took part in amateur theatrical performances. Having become established as the regimental artist, in 1834 he began to attend evening classes at the St Petersburg Academy of Arts. In November 1843, after a long period of doubt, he resigned his commission in the army in order to become a professional artist. He began to attend the Academy regularly and joined the battle-painting class of Aleksander Zauerveid (1783-1844),
Marie-Guillemine Benoist
Paris 1768-1826 was a French neoclassical, historical and genre painter. She was born in Paris, the daughter of a civil servant. Her training as an artist began in 1781 under Élisabeth Vigee Le Brun, and she entered Jacques-Louis David's atelier in 1786 along with her sister Marie-Élisabeth Laville-Leroux. The poet Charles-Albert Demoustier, who met her in 1784, was inspired by her in creating the character Émile in his work Lettres Émilie sur la mythologie (1801). In 1791 she exhibited for the first time in the Salon de Paris, displaying her mythology-inspired picture Psych faisant ses adieux sa famille. Another of her paintings of this period, L'Innocence entre la vertu et le vice, is similarly mythological and reveals her feminist interests in this picture, vice is represented by a man, although it was traditionally represented by a woman. In 1793, she married the lawyer Pierre-Vincent Benoist. Her work, reflecting the influence of Jacques-Louis David, tended increasingly toward history painting by 1795. In 1800, she exhibited Portrait d'une negresse in the Salon. Six years previously, slavery had been abolished, and this image became a symbol for women's emancipation and black people's rights. This picture was acquired by Louis XVIII for France in 1818. An important commission, for a full-length portrait of Napol on Bonaparte Premier Consul Français in this period was awarded to her in 1803. This portrait was to be sent to the city of Ghent, newly ceded to France by the Treaty of Luneville in 1801. Other honors came to her; she was awarded a Gold Medal in the Salon of 1804, and received a governmental allowance. During this time she opened an atelier for the artistic training of women. Her career was harmed by political developments, however, when her husband, the convinced royalist count Benoist, was nominated in the Conseil d'État during the post-1814 monarchy come-back called the Bourbon Restoration.